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ELP LASER TURNTABLE

About the Laser Turntable

 

the Laser Turntable from ELP Corporation
It took over 14 years of research, innovation, and refinements, with a 20 million dollar investment to produce the Laser Turntable!

Our motto is: "No Needle, No Wear ™." The LT features an absolutely contact-free optical pickup system. Play a record thousands of times with no damage to the record. Get the same sparkling sound on the thousandth play as on the first play.

Major Features of the LT:

 Easy to Program and Operate
Play and program your Laser Turntable like a CD player. Simply put the record in the front loading tray, sit back, and enjoy the performance. You can skip from track to track, fast-scan backward or forward, pause and hover, all by Remote Control. Front panel buttons for local control and remote control from your easy chair. Easily view the left front panel display as it shows you the record profile while the right display shows speed, programming, elapsed or remaining time, and other functions.

 Five Laser Beams
Two beams read the stereo sound, two track the left and right shoulders of the groove, and one beam maintains the height and focus of playback head on any thickness record, and allowing for some warpage. Rather amazing to think about, and more so to hear!

 Linear Tracking
The Laser Pickup head is linear tracking. The reader is always positioned orthogonal to the groove to replicate the exact tracking of the record cutter, eliminating inner-groove distortion, common with conventional tone arm tangency error.

 

The additional audio information that a Laser Turntable can pick up makes a difference
This diagram illustrates how the tiny laser beams from the LT read the walls of the groove compared to a standard monaural stylus.

 No Sound Coloration
The LT reads only what the cutter put on the record. Cantilever resonance, moving coils and magnets, inertia and mass, and tone arm resonance all produce their own sound colorations. The LT has no coloration added and reproduction is the closest possible to the master tape. Response is 20Hz to 25kHz. No needle velocity "rasp" or needle "scrape" sounds.

 Superb Fidelity
The LT reproduces hidden subtleties in the recording that other reproducers cannot read. This is because the laser beam is about one quarter the size of the smallest elliptical styli and is able to reach into minute sections of the groove wall that were made by a chisel shaped cutting stylus. A Shibata type needle is better at getting into small corners but causes damage to the record each time it is played. The laser beam has no problem reading everything on the groove with no physical contact.

 

Conventional needles cannot read all of the information in the groove
The incident area of the laser beam on the groove is only a fourth the contact area of the best stereo needle and twenty-six times smaller than a mono needle.

 True Analog Playback
The sound-reproducing components are analog and the mechanism control and programming logic is digital. The LT requires an external stereo preamplifier with an RIAA equalizer if you order the standard models. Output level similar to a MM (moving magnet) cartridge of 4.3mV 5cm/s 1 kHz Lateral. Use your present high quality preamp with the LT for the finest sound reproduction. High level outputs are an option for use in audiophile systems that do not contain a phono preamp. The RIAA correction is included in this version.

 No Acoustic Feedback or Sound Alteration
Feedback is typically caused by sound from your speakers (or from elsewhere) reaching the turntable and mechanically picking up the vibrations, to be amplified again. No needle "singing." The LP is safely in a drawer and the laser reads only the undulations of the groove. No need for elaborate vibration isolation pads and "gizmos." The LT will not hear outside noises such as footsteps on the floor, door slamming, or other vibrations in the area. To demonstrate this, pound the table on which LT rests with your fist. Nothing but the music on the groove is heard on the playback system or transfer to CD.

 Belt-Driven Turntable
Since there is no mechanical cartridge to pick up vibration from bearings and motor, any rumble you hear is likely from the cutter turntable that made the record. Only light beams read the modulations. Microprocessor controlled turntable for absolute speed accuracy.

 

The ELP LT is the perfect choice for:

 

  • Professional studios that transfer records to digital for commercial release.
  • Archivists who restore old and valuable recordings.
  • Institutions that do research on rare recordings and preserve the content to another medium.
  • National/State/Local/University/School Libraries. Record Repositories. Musical Societies.
  • Serious record collectors who want to have the best music reproduction and no wear to the record.
  • Hobbyists who transfer records to CD and who especially want every nuance and detail from the recording.
  • Record stores that sell rare records that wish to demonstrate the quality to a buyer.
  • Anyone who loves vinyl, 45's, and 78's. So much great recorded music will never appear on CD.
  •  Variable Scanner Offset (VSO)
    This allows you to move the laser beams that read the audio from the normal position (10 microns below the shoulder) to an area where a rounded needle may have damaged the record. Offset is adjustable, 5-10 mils from the default position using a button on the front panel.

     Mechanically-Independent left and right lasers
    These lasers can reproduce TRUE superior stereo separation, greater than the capability of the cutter at all frequencies.

     Plays Warped and Rippled Records (up to 5mm deviation)
    In some cases, plays even broken records when all the pieces are placed on a tray without tape or glue. There is no needle damage, because there is no needle. The LT also plays eccentric records (spindle hole off center).

     Built-in Analog Noise Blanker
    These circuits help reduce pops and clicks in real time, as you listen. This feature may be easily turned off with the front panel buttons by users that are restoring old recordings. Pops and clicks are then removed with editing software after the transfer to digital.

     Continuous Turntable Speed Control
    Control 0.1 RPM steps throughout the 30 to 50 RPM range for LP's and 45's on the LT-1LRC. The LT-11XRC and LT-1XRC models that play 78's also offer a 0.2 rpm step control over the 60 to 90 rpm range.

     Plays virgin parts of the groove
    Damaged needles will destroy a record on the first play. The LT beams can be set to play the top part of the groove that was not touched by the needle. Also the small laser beam never reads the bottom of the groove where most grime and hardened "crud" may have collected for years.

     No Tedious Settings
    Stylus pressure, alignment, overhang, VTA and arm tangency problems are common with conventional cartridge/tonearm/turntable systems.

    There is only one Laser Turntable. There is nothing else like it in the world. Finally hear what is REALLY on the record!

    How the LT Works

     

    contact-free tracking
    The Principle of Contact-Free Tracking and Audio Reproduction

    Two Tracking Laser beams are directed to the left and to the right shoulders of the groove of the record. Only the part of the beams that reach the groove are reflected to two PSD (Position Sensitive Detector) optical semiconductors. The part of the beams that fall on the land area of the record are deflected and not picked up by the PSD devices. The signals are sent to a microprocessor via analog to digital converters, then to servos to maintain the reader head position directly above the groove.

     

    laser tracking
    Two additional laser beams are directed at the left groove wall and the right groove wall just below the tracking beams. Modulation on the individual grooves is reflected to scanner mirrors and onto left and right photo optical sensors. The variations of the modulated light cause the audio sensors to develop an electrical representation of the mechanical modulation of the grooves. The entire sound reproduction chain is analog.

    The distance from the surface of the record to the traveling pickup head is kept constant by using a separate laser beam. This is very similar to every CD player that uses a "focus" laser to move the laser that reads digital bits to the proper spacing between the reader and the disc. Since phono records vary in thickness, this feature assures precision alignment from the pickup head to the record. The servos are fast and responsive allowing the LT to accommodate even warped records. Also the new audiophile 180 gram (thick) records are reproduced beautifully.

     

    laser pickup head
    This is a view of the inside of the Laser Pickup Head.
    A special calibration LP record is furnished with each Laser Turntable and is used to set up the optics and microprocessor. The record has about 20 minutes of grooves with no sound. It is necessary to run this special disk for about 30 seconds.

    The calibration disk should be used when you operate the machine for the first time. Every few months you may elect to run the calibration disk to maintain tracking accuracy, particularly if you notice any mis-tracking during playback. When the machine is moved to another location, it is wise to run the calibration disk again.

    The Laser Turntable is, no doubt, the most sophisticated and state-of-the-art "Record player" ever designed.
     

    Sound Quality

    What is the sound quality of Laser Turntable?

    The Laser Turntable has no contact with the vinyl disc. Therefore, it can reproduce music and sound as close to its originally recording on vinyl. The LT's beam of light can read the record's groove in places that a conventional stylus cannot. This means that the LT performs high quality sound reproduction even on vinyl that has been worn by a needle. The Laser can also read below the depth of surface scratches, which improves playback.

    If both the musical recording and the vinyl itself are of high quality, the LT will reproduce excellent sound quality accordingly. But if the quality of the recording or vinyl itself is poor, the LT can unfortunately do very little to improve or change the sound. Keep in mind that the LT is able to read some scratched and even warped records which may not be played on a conventional turntable.

    On the other hand, cartridge/stylus/tonearm combinations (whether expensive or not), have a number of different characteristics that can alter or change the sound of a record. As a result, you will hear a range in sound quality (good or bad) as they make contact with the vinyl disc. However, they still cannot reproduce music as close to the original recording as the LT.

    Because of personal preferences and the many cartridge/stylus/tonearm combinations being used, it is difficult to say if the LT will sound better for you, individually, than the turntable you currently own. If you'd like to hear the LT in action, listen to our Free Demo CD and let us know your opinion.
     

    The Needle vs. The Laser

    In the past 100 years approximately 30 billion phonograph records were produced and sold. Still the problematic method of playing a record using a diamond chip needle secured to a metal cantilever that moves a motor (moving coil or moving magnet) is still the common method of playing a record. Mechanical reproduction is fraught with "compromises" that limit the ability to play a record faithfully and accurately. Each time a record is played there is some damage and wear to the record.

     

    It is important to note that none of the restrictions and limitations mentioned in this article relate to the laser playback method used in the ELP Laser Turntable. This article can be of value in setting up your playback system if you do not own a Laser Turntable.

    The Archivist's Dream Machine

    Most styli that are available on modern phono cartridges will not yield good results. The groove geometry varied greatly on early recordings. The stylus used on cutters may have been narrower than later recordings, or wider. You must match the stylus to the exact shape and depth of the original record. Many engineers that specialize in restoration of rare recordings have special styli manufactured for the specific record. Often, these elliptical styli are ordered with truncated tips so the needle will not reach the bottom of the groove where heavy damage, noise, and dirt may lie. This is not necessary with the LT because the optical system finds the shoulders of the groove and sets the microprocessor to the width of the groove.

     

    laser beams strike the grooves of the vinyl disc
    The image at right shows how the LT reads the audio from the grooves.

    1) Scratch damage on the land area of grooves.
    2) Laser beams that read the audio modulations.
    3) The area of the groove that is read avoids the scratch.
    4) The area of the groove where stylus damage is found.
    5) The Groove with damage from a needle.

    Some types of records the LT will not play:

    The laser beams must reflect from an opaque surface in order to be read. Clear or colored records are transparent, or translucent, and will not reflect light to the sensors. Other types of records that may have difficulty include:

     

    grooves not read by the LT

    1) Vertical cut records like the early Edison "Diamond Cut" series. The modulation is up and down rather than lateral. The code pbad is displayed in the message window.
    2) Rounded groove shoulder. The code rbad is displayed in the message window.
    3) A groove with a rounded bottom produces distortion.
     


     

    Operating the Laser Turntable

    When you place a record in the drawer and press the play button, the record tray closes and the LT will quickly scan the disk to identify the various bands (cuts). Bands are displayed on the front panel Record Profile LCD display. A single vertical line above the "bands" indicator will show you the position of the laser pickup head. The vertical indicator will travel across the record as it is played showing its exact position on the record, and which band is playing.

     

    On the initial scan the laser head will move from the inside (spindle) to the outside track while marking the bands. The machine will then automatically move into the first band and measure the distance from the head to the record surface. After a few seconds the record will begin playing from the beginning.

    If you want to hear the record side more than once, you can specify multiple (1-4 times) by pressing the play button up to four times. PL4 will appear in the message window. If you press the play button 5 times the LT will play the side repeatedly and PL99 will appear in the window.

    If you wish to repeat a cut on the record or program the machine to play selected bands in any order this is accomplished with the buttons on the front panel or remote control. All special functions are available then you use the programmed mode. Seek Forward () and Seek Backward () allows you to listen to a segment of the cut. At any time you may use the Scan Back () or Scan Forward () to defeat the programming and listen to another cut.

    When a record starts to play the message window will display the rpm of the platter. When a record is playing, the display automatically shows the elapsed running time. If you press the "Side" button, you can see the elapsed time, the remaining time of the side, and total time of the side. Pressing the "cut" button will display the elapsed time of the current cut, the remaining time of the cut, and the total time of the cut while pressing the button multiple times.

    The Hover button () allows you to play a single grove segment repeatedly. The player automatically goes into the pause mode if left in hover more than two minutes. The play light stays on during these operations. There is absolutely no damage to the record when using the hover or pause modes. Only light beams are touching the record.

    The pause mode is very convenient for cueing a record when you are transferring the music to another medium. Seek Back or Seek Forward will quickly move the playback head to the beginning of the next track, or previous track.

     

    the Laser Turntable is as easy to program as a CD player
     

     
    Specifications

     

     System  Contact-Free, 5 Beam Optical Record Player
     Function
         Play



         Pause
         Display
     
     Drawer system (Open/Close)
     Automatic lead-in, lead-out
     Programming (Max. 15 songs)
     Forward and back scan (2 speed)
     Forward and back search
     Cueing (Muting)
     Total, Elapsed, Remaining time
     Record size, Revolution
     Record Type  Black Records
     Drive System  Computer Controlled Belt-Drive system

     Revolution
     Speed Control


     Record Size
     LT-2XRC  LT-1XRC  LT-1LRC
     30 ~ 50rpm
     0.1rpm steps
     60 ~ 90rpm
     0.2rpm steps
     7",8",9",10",11",12"
     30 ~ 50rpm
     0.1rpm steps
     60 ~ 90rpm
     0.2rpm steps
     7",10",12"
     30 ~ 50rpm
     0.1rpm steps


     7",10",12"
     Frequency  20Hz - 25kHz
     Channel Separation  Depends on separation of Records
     >25 db (20 ~ 20,000Hz, DIN 45 543 Test Record)
     Output  4.3mVrms 5cm/s 1kHz Lateral
     9.7mVrms 8cm/s 1kHz 45° Left or Right modulation
     11.3cm/s 1kHz Lateral (much like MM cartridge)
     Distortion  <0.5% DIN45 543 1kHz Ref. Level
     S/N Ratio  >55db (Weighted) Ref. Level
     Wow & Flutter  <0.07% WRMS
     Output Terminal  RCA pin jacks
     Power Supply Voltage  100V 50/60Hz, 120, 220, or 240V Available
     Power Consumption  80W (Max.)
     Size  470mm(W) x 480mm(D) x 170mm(H)
     Weight  19kg

    Additional Specifications:
    The Laser Turntable connects to your pre-amp from outputs located under the FUNCTION switch, "MONO," "LEFT," "RIGHT." (Input impedance 47k ohm)

    Remarks:
    Design and specifications change with each upgrade.

    History of the Laser Turntable and ELP Corporation

     

    1972
  • BSR of the U.K. establishes BSR Japan. This is the first audio equipment manufacturer in Japan to be 100% financed by a foreign company.
  • 1975
  • BSR Japan extends its line of products and begins supplying audio manufacturer ADX (U.S.) with cartridge, stylus and tone arms.
  • 1980
  • BSR Japan begins handling the planning, manufacturing and distribution of DBX company products (U.S.).
  • 1988
  • BSR Japan changes its name to CTI Japan.
  • 1989
  • CTI* Japan acquires all rights to the Laser Turntable from Finial company of the U.S.
    *CTI Japan begins development of the Laser Turntable.
  • 1991
  • Announcement of first LT models

     

  • Supplies LT-1X to National Library of Canada
  • 1997
  • ELP changes its name to WEL Corporation. WEL establishes new company, named ELP Corporation.
     
  • Introduces New Models
  • 2001
  • Supplies LT-1XA to The Library of Congress, Washington, DC
  • 2003
  • Introduces new models with wireless remote control and better sound quality.
  •  

    Thanks to Laserturnatable.jp